Who is guitarist jack white
Backed by only a drummer with the coolest drum kit ever and bassist, Jack White dipped back into his extensive back catalogue of songs, and played some classics. His epic performance had the internet buzzing, and left a few wondering why they never checked him out before. He first played in the White Stripes -- until White first saw a rise to fame with his duo The White Stripes.
It was just White on guitar and his ex-wife, Meg White, on drums. He has another band called the Raconteurs. One of them is the Raconteurs, which formed in Jack took Meg 's surname, and the pair formed the White Stripes after a Bastille Day jam session showed promising results. With their color-coded image and raw, punky sound, the White Stripes became a key component of the garage rock revival of the late '90s. In addition to their music, the bandmembers stirred public interest by claiming to be siblings, a declaration that seemed slightly less incestuous when Jack and Meg White divorced in Despite the split, the White Stripes only grew in popularity as the decade progressed, eventually winning three consecutive Grammy Awards and issuing several platinum-certified albums.
A critical smash, the album helped endear Lynn to a new generation of fans, thanks in part to White 's credibility as a rock artist. He then returned to the White Stripes for the release of Get Behind Me Satan , which saw him expanding his instrumental range with piano and marimba.
Shortly thereafter, he launched a concurrent group, the Raconteurs , with friend Brendan Benson and two members of the Greenhornes who, incidentally, had served as backing musicians on Van Lear Rose.
The Raconteurs made their debut with 's Broken Boy Soldiers and toured in support of the album, while White publicly stressed that his work in the band should not be seen as a side project or a diversion from the White Stripes. Thus, he began juggling his responsibilities to both groups, partnering with Meg White once again for the White Stripes ' release Icky Thump , before returning to the Raconteurs for 's Consolers of the Lonely.
While touring in support of the latter album, White suffered from bronchitis and often lost his voice, prompting singer Alison Mosshart from the Raconteurs ' touring partners the Kills to climb on-stage and contribute her own vocals. The chemistry between Mosshart and the Raconteurs proved alluring, and the musicians opted to form a separate group named the Dead Weather. With Jack White now handling drums, the band retreated to the studio and recorded an energetic debut, Horehound , in a matter of weeks.
Released in , the album was well-received on both sides of the Atlantic, cracking the Top Ten in America and peaking at number 14 in the U. Encouraged by such success, the Dead Weather began working on a second album during the fall, with the intention of previewing several new songs during an Australian tour in early In the meantime, White secured enough free time to appear in a movie -- the guitar-themed It Might Get Loud -- and produce an album for his wife, songwriter Karen Elson.
The first solo outing from White , the bluesy, typically idiosyncratic Blunderbuss , named for a muzzle-loading firearm that was a precursor of the shotgun, arrived on April 24, It promptly debuted in the American charts at number one, the first White -associated album to do so.
Well, okay, well then you better make some art. That doesn't mean you can sit around all day and do nothing. That's the way I treat myself, and those are the artists I respect who do that. And it doesn't have anything to do with being a workaholic or anything like that; it's about creating all the time, because that's what you can't help but do.
No matter how much I try to write a song about characters and the interactions they're having, no matter what I do, I can never make it not come from my own experiences. As an artist you're a victim of your environment. I'd like to make up a scenario, but my writing ends up having a lot to do with with things I've felt and observed. I think you just learn to have a way about yourself, a style of walking down the street, that keeps people away from you.
Playing drums feels like coming home for me. I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting.
So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm. I think that sometimes love gets in the way of itself - you know, love interrupts itself. We want things so much that we sabotage them. Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album.
And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive. This generation is so dead. You ask a kid, 'What are you doing this Saturday?
Kids today never say, 'Man, I'm really into remote-controlled steamboats. I really don't like to take the easy way out, if I can help it, on anything I do, I like to really make it a challenge. I don't know how to create by taking the easy routes.
I've tried, you know, I've tried to let myself, but I always struggle to compensate. I want to be part of the resurgence of things that are tangible, beautiful and soulful, rather than just give in to the digital age. But when I talk to people about this they just say, 'Yeah, I know what you mean,' and stare at their mobiles. A lot of people in the media, and some everyday people, really aren't in search of the truth.
They're in search of something worse than that. Money, yeah. I think the media's the kind of a thing where the truth doesn't win, because it's no fun. The truth's no fun. I keep guitars that are, you know, the neck's a little bit bent and it's a little bit out of tune.
I want to work and battle it and conquer it and make it express whatever attitude I have at that moment. I want it to be a struggle. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues. I know that's blasphemous when you are from Detroit, but I was never a fan of Motown stuff.
I don't care for the production much. With the White Stripes we were trying to trick people into not realizing we were playing the blues.
We did not want to come off like white kids trying to play black music from years ago so a great way to distract them was by dressing in red, white and black. We have a secret project at Third Man where we want to have the first vinyl record played in outer space.
We want to launch a balloon that carries a vinyl record player. I'd make a White Stripes record right now. I'd be in the White Stripes for the rest of my life. That band is the most challenging, important, fulfilling thing ever to happen to me. I wish it was still here. It's something I really, really miss.
I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. This is your box, and you're not allowed to stray outside of it. I was in a Montessori school. There was a drum circle with all the kids passing around a little bongo drum.
I was the last person in the circle, and when it got to me I played 'Shave and a Haircut, Two Bits' - in front of all the parents. Blew the crowd away at five years old. The auctioneer is talking for both people, and that's the big revelation about, 'Oh, that's what they're doing.
He's speaking for you, because people in the crowd don't have a voice, so that's what really makes it compelling. Nowadays, everybody assumes, when they wake up in the morning, if they have a question, it will get answered. Because they have the internet. No matter what the question is, someone will answer their question. I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright.
Don't know why, it's not warm. When you put something out there into the world, there's all these words you don't want to hear, that you hope people don't say. I don't like anything that starts with 're' - like retro, reinvent, recreate - I hate that. It's always like living in the past - copying, emulating. I wanted to be able to talk with people who have trade jobs and make records with them.
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