Who is joel cairo

Joel Cairo : I certainly wish you would have invented a more reasonable story. I felt distinctly like an idiot repeating it. Sam Spade : Don't worry about the story's goofiness. A sensible one would have had us all in the cooler. Kasper Gutman : Well, sir, what do you suggest? We stand here and shed tears and call each other names Joel Cairo : Are you going? Kasper Gutman : Seventeen years I've wanted that little item and I've been trying to get it. If we must spend another year on the quest Page Number and Citation : 43 Cite this Quote.

Explanation and Analysis:. Chapter 7 Quotes. Page Number and Citation : 69 Cite this Quote. The colored dots and icons indicate which themes are associated with that appearance. Chapter 4: The Black Bird. Their conversation is interrupted by a stranger at the door who introduces himself as Joel Cairo.

The narration describes Cairo as slender, dark skinned, wearing a lot of jewelry, and heavily Chapter 5: The Levantine. Calm and steady, Spade puts his hands behind his head. As Cairo searches Spade for a weapon, Spade elbows Cairo in the cheek, tripping him and taking When Cairo slowly wakes up, he tells Spade he only intended to search the office for the Chapter 6: The Undersized Shadow. After Cairo leaves, Spade contemplates the offer and commits himself to searching for the statue. When Spades Frightened and upset, Chapter 7: G in the Air.

At that moment, Cairo knocks at the door and Spade lets him in. As Brigid and Cairo talk, Spade Cairo then offends Brigid by making reference to a relationship between her and a young man Spade is forced to let the cops in and they barge into the apartment where a fracas in progress.

They witness a bloodied, whining Joel Cairo complaining that Spade brutally entrapped him in the apartment where Brigid attacked him and was threatening to kill him. Dundy stands between the two antagonists as he listens to their conflicting versions and explanations of what happened.

When Brigid counter-accuses Cairo of lying and then kicks him, Dundy threatens to run everyone into the police station. To extricate them from a possible jailing, Spade explains their rough interrogation of Cairo - a story consistent with their somewhat limited knowledge. The police still threaten to take them away, but Spade further jokes that the theatrics were all planned.

He presses his explanation, exaggerating their conflict and making an intimidated Cairo confess that his questioning was all a joke. One of the officers tries to punch Spade, but Brigid and Cairo back Spade up, preferring not to press charges against each other, since that would involve them further with the police - and compromise their ability to swiftly search for the falcon.

Then, the bewildered police have no choice but to leave, even though they want to get contact information for both Brigid and Cairo. Cairo leaves the room along with the officers exhausted from getting beat up by Brigid. The next day at Hotel Belvedere, Spade enters the hotel, uses the desk phone and asks to speak to Cairo.

Sam spots him again sitting in a lobby chair facing away from him and reading a newspaper. Sam hangs up the phone and sits down next to the "boy", Wilmer. Deducing from the vague conversation between Brigid and Cairo that the "boy" was hired by either the "Fat Man" or Cairo to follow him, he delivers a message to the gunsel's boss. Incited to anger, Wilmer responds with "shove off", and ineffectually threatens Sam to back off or he would hurt him.

Spade reprimands him, telling the young, insulting thug that he should be polite. He then signals the house detective Luke to run Wilmer, wearing an oversized overcoat, out of the hotel lobby. As Wilmer is rousted out, Spade blows smoke in his face. Just then, a beaten-up, disheveled and tired Cairo returns to the hotel lobby. Spade confronts him and explains his motives to him. Cairo was roughed up during questioning in the all-night police grilling, but he didn't talk - except to repeat Spade's unreasonable story.

He pleads to be left alone so that he wouldn't be further mussed up. Spade meets up with Mr. Gutman in his hotel suite, and Spade throws a fit at him since Gutman refused to reveal what he knew about the falcon. Spade leaves the room, and enters a descending elevator just as Cairo steps off the other ascending car without seeing him.

Study Guide. By Dashiell Hammett. Previous Next. Hammett uses typical and offensive stereotypes of homosexuals as effeminate or womanish, which we can see in the opening description of Cairo's physical appearance: The girl returned with an engraved card— Mr.

Joel Cairo. What's Up With the Ending? Tired of ads? Join today and never see them again. Get started.